mp3Tag
MP3 Editor de etiquetas y organizador de música
AudioConverter Studio
Convertidor de formatos de sonido y extractor de CD audio
MIDI Converter Studio
Conversión de archivos MIDI en WAV, MP3, OGG, WMA
Visual MP3 Splitter & Joiner
Divisor rápido de MP3 y WAV sin recompresión, unificador de WAV y MP3
MP3 Recorder Studio
¡Grabador de audio sencillo y asequible!
Media Catalog Studio
Organizador de archivos multimedia y administrador de colecciones
iPod Video Converter
Este convertidor es el mejor amigo de tu iPod

Llegue a saber lo que nuestros usuarios piensan de nuestro software:

"I've been using your great tools to convert CD audio books into MP3 files so my dyslexic son can listen to them on an MP3 player with no moving parts. The tag editor and splitter/joiner make it easy to handle the often chaotic file naming and tagging of ausio book tracks, and the converter was very useful in changing WMA format files into MP3s for joining and tagging.

I also use the MIDI converter software to create audio CDs for choir members to learn ther parts. Some of them don't have computers and e-mail to use MIDI files, so with the converter I can give them a CD to play on standard audio equipment."
Earl Hughes
"I haven't had time to look at the three programs more thoroughly, but so far they seem to have some exellent functions. Really nice, indeed. There are lots of MP3-tag apps, but this ones seems to glimmer... Will definatly be a recommender to friends..."
Christer Andersen

About MPG, MPEG-4

"Em-peg" Motion Picture Experts Group, compression/decompression (codec) format for storing video and audio on digital media. It was adopted by International Standards Organization as ISO 11172 standard. It is based on a DCT (discrete cosine transform) algorithm. Supported by Apple (MacOS), Microsoft (Windows), Digital Equipment Corp's Alpha PCs, IBM (OS/2), and others.

Unlike Cinpak or Indeo, MPEG is a more than just a codec. It is a complete file format which specifies the arrangement of video and audio that is also different from the audio-video interleave schemes of QuickTime and Video for Windows.

Primarily it compresses the redundant information between frames, such as a background that does not change into one I-frame (compressed intraframe)&emdash;plus any changes to the background. Because of this, MPEG images are difficult to edit. One solution is to decompress the MPEG video; then compress it into Motion-JPEG for editing after which it can be recompressed under MPEG. (MPEG supports higher quality images than Motion-JPEG.) Player utility: Xing MPEG (Windows).

What are MPEG-1 and MPEG-2?

MPEG-1 is a standard that defines compression at data rates typically up to about 1.5 megabits per second (Mbps). It is used extensively today for video CD encoding. MPEG-2 is the standard upon which digital television, set-top boxes and DVDs are based. Work on the MPEG-4 specification started in 1993, and has diverged greatly from its predecessors, MPEG-1 and MPEG-2.

What are the main areas of development in the MPEG-4 standard?

There are many core areas in the MPEG-4 standard including:

· Video. Defines video decoding for rendering and playback. To date, MPEG-4 has specified four different versions for video compression, defining capabilities grouped into 19 distinct "profile" groupings with various "level" degrees in each.

· Audio. Defines audio decoding for rendering and playback. MPEG-4 defines several audio codecs, including MPEG-4 AAC, multiple speech codecs, and synthetic audio.

· File format. Defines the file "container" and how information is organized at the byte level in stored files. The MPEG-4 (MP4) file container is based on but not compatible with Apple QuickTime.

· Profiles and levels. Specifies sets of capabilities and defines data representation format, video resolution, and content delivery data rates among other things. The specifications also define interoperability among vendor products.

· Transport protocols. Defines how content is delivered over networks. MPEG-4 and other standards initiatives define a variety of networking protocols.

· Digital rights management. The MPEG-4 initiative does not have DRM defined today but it does have "hooks" to proprietary DRM systems.

· Other areas. The MPEG-4 specification also defines other areas such as object-based video coding, hybrid coding of synthetic and natural content, face animation parameters, synthetic audio, Binary Format for Scenes (BIFS), and other such features.

What are MPEG-7 and MPEG-21?

The MPEG-7 specification, formally named "Multimedia Content Description Interface", provides a set of standardized tools to describe digital media content, or metadata.

The MPEG-21 specification defines an end-to-end framework outlining all the pieces of a standards-based system—from content creation to delivery to playback. Work is underway in MPEG-21 to define standards-based DRM.

Is the quality of MPEG-4 video competitive with the state of the art?

To be competitive, MPEG recognizes that its video codec must be improved and has launched a video coding project with the goal of adding a new codec design to the MPEG-4 standard to "extend MPEG-4 with state-of-the-art technology" by the spring of 2003. For more information about MPEG's codec quality viewing test, see the MPEG committee document N4240.

Can products based on MPEG-4 provide a complete end-to-end solution for streaming applications?

Currently, products that are based on MPEG-4 cannot provide an end-to-end streaming solution. MPEG-4 lacks some significant features, such as DRM and screen compression, and does not define a fully standard means of providing services such as video over IP streaming. For this reason, implementers of MPEG-4 often choose to add their own features and write additional specifications to enable richer solutions for their customers.

Original text: http://www.xvsonline.com/xfiles/about_mpg.htm